When considering the creative explosion of craftsman style, Wichita, Kansas is not the pioneering frontier that brings one's mind to bear. For graphic designer and Wichita native—Matt Pierce—the slow, flat, farming and industry good-life made for a solid upbringing. It was also the foundation for Pierce’s documentation of experiments in style and craft—a.k.a. Wood & Faulk.
What began on the Wichita streets of Woodrow and Faulkner, Pierce was studious in the art of craftsmanship. Always the tinkerer and customizer, his early forays into building crossed several mediums. Pierce’s uncle taught him how to build car engines. On commission, he worked on furniture. He refined his skills also working on homes. For Pierce it was never a business. He would take jobs simply for the pleasure in building.
Any sum obtained through his endeavors, were invested in the purchase of well-made tools—each new building interest allowing him to accumulate a garage full.
After Pierce migrated to Portland, Oregon, he initially rented but later purchased a home due to the confines of a small shop space. He bought an old house and again embraced tinkering through home repair. Eventually he began publishing the progress of his efforts through pictures via the popular gallery service, Flickr.
Friends and fellow creative’s took notice and encouraged Pierce to share on a personal site of his own, which quickly evolved into Wood & Faulk, his “Documentation of experiments, style, and craft.”
Since the creation of Wood & Faulk, Pierce has been building in other ways—community—as a natural, organic evolution of his sharing efforts. His experiments also feature a small, carefully crafted range of products including shop-wear, bags, and leather goods.
We asked about the societal trend towards fulfillment through do-it-yourself, handmade creativity, and Pierce noted that he believes in the power of craftsmanship and trusts it is not a passing fad. “We had gotten away from build something yourself and taking pride in it. If you do it right, it lasts a long time. Do it right. Spend the dollars and it will last a whole lot longer. It is better with effort.”
The notion of Made in America also resonates with Pierce. “Not in a blinding patriotic way, however. No matter where things are made, you must look for the quality of the craft. We have seen wondering Made in America companies that have done things horribly. It should really stand for something good and strong. It should benefit the consumers that are buying things.”
Looking at Wood & Faulk, it is clear that Pierce looks at Made in America with the fondness of timeless quality. “You can’t take it at face value these days. Consumers must look beyond the Made in America stamp. Go beyond the advertising. Only then can you decide if it is worth the investment.”
Wood & Faulk is built on exposing ideas and opening dialog with people who desire to create or those who want to have more lasting creations. Pierce remains encouraged about the prospect of Wood & Faulk’s impact in the future as well. “It is about sharing ideas and I have been excited about how well mine have been received.”
Photography by Lisa Warninger.
http://www.woodandfaulk.com/